|
Announcing the 24th
International Ýzmir Festival |
|
|
|
Artistic Director: Claudio Hoffmann |
|
|
|
Programme |
| 1- Metropolis
(Binelli) The company 2 - Tanguera (Mores) Marijó Alvarez & Jorge Pahl 3 - A los amigos (Francini / Pontier) Marcela Vespasiano & Iván Romero 4 - Fracanapa (Piazzolla) The company 5 - Libertango (Piazzolla) The company 6 - A fuego Lento (Salgán) Daniel Binelli´s Quintet 7 - Chiqué (Brignolo) Soledad Rivero & Sergio Cortazzo 8 - Leguisamo solo (Gardel / Le Pera) The company 9 - Milonga orillera (Roberto Firpo) The company 10 - El internado (Canaro) Marcela Vespasiano & Iván Romero; Verónica López & Fabián Irusquibelar; Vidala Barboza & Omar Cácerez 11 - Milongón (Canaro) Claudio Hoffmann, Marijó Alvarez, Vidala Barboza, Marcela Vespasiano, Verónica lópez 12 - El apache argentino (Arostegui) Claudio Hoffmann 13 - El Choclo (Villoldo) Daniel Binelli & César Angeleri 14 - "Imágenes de Buenos Aires" (Binelli) The company 15 - Al pintor Aldo Severi (Binelli) Daniel Binelli's Orchestra 16 - La Cumparsita (Mattos Rodríguez) Marijó Alvarez & Claudio Hoffmann 17 - Malambo urbano Fabián Irusquibelar, Iván Romero, Omar Cácerez 18 - Milonga de mis amores (Laurenz) Marcela Vespasiano & Iván Romero 19 - Desde el alma (Melo/Velez/Manzi) Claudio Hoffmann & Vidala Barboza 20 - La mariposa (Flores / Maffia) Fabián Irusquibelar & Verónica lópez 21 - Mala Junta (De caro / Laurenz) Vidala Barboza & Omar Cácerez 22 - Allegro Tangábile (Piazzolla) The company 23 - El Viaje (Binelli) Claudio Hoffmann & Jorge Pahl 24 - Oblivion (Piazzolla) Marijó Alvarez & Jorge Pahl 25 - Adiós Nonino (Piazzolla) Daniel Binelli's Orchestra 26 - Zita (Piazzolla) Claudio Hoffmann & Soledad Rivero 27 - Llamada de Tambores (Binelli) The company 28 - La Cumparsita (Mattos Rodríguez) The company |
|
|
|
Tango Metropolis |
| Tango Metropolis is a highly
innovative tango show created by Daniel Binelli, Pilar Alvarez, and
Claudio Hoffmann. Set on the eve of the new century and looking ahead to it, Tango Metropolis adds new musical and choreographic forms of tango, dynamically and theatrically expressed, to the themes of the traditional repertoire. In the first part of the show, Tango Metropolis presents a variety of street characters emerging from the depths of thenight driven by an intimate desire for assertiveness in a hostile city. Besides by vertigo, chaos, insecurity and a relentless quest for hope, they dance with all the force, vigour, expressiveness and mystery of avant-garde music contained in the beat and rhythm of Buenos Aires. Later, a succession of humorous, nostalgic, sensual, and saucy scenes looks back over the styles, feelings, atmospheres, and colors of a hundred years of existence. The hippodrome, the races and the Jockey Club provide the setting for unforgettable moments played with irrepressible humour, flexibility, and magic by their main characters, in a tribute to the favorite personages and musical themes of the salons of yesteryear. In the second half, Tango Metropolis and its cosmopolitan streets portray love stories, encounters and farewells filled with intense moments of passion and seduction, using the language of tango. The bandoneon, the instrument that symbolizes the tango and permeates its history, delivers a stream of harmonies and sounds which propel the bodies into a maelstrom of dance where the artists can express the whole range of their interpretative skills. |
|
|
|
Pilar Alvarez ve Claudio Hoffmann |
|
|
| Daniel Binelli |